Starting a New Year With the ‘P’ Word

by Scott on January 3, 2010

If this is the start of a new performance season for you,  perhaps there are some things you’d like to do better this year in your playing.  Maybe you’d like to sight-read better. Maybe you want to be able to find those odd-ball chords more quickly, or you might be want to tackle more challenging works.

Regardless of what you want to improve this year, all roads lead through more practice and smarter practice. Practice is a matter of discipline and dedication, yet it need not be drudgery. There’s no away to avoid the fact that some things improve simply with more repetition. But those “reps” can be smart reps.  If you’re having trouble with a particular section of music, as obvious as this sounds, just practice that section.  Don’t spend time on the lead-in and follow-on sections.  Just work on what you need to. Vary your practice routine – don’t do the same things every day, or even in the same order.

Good results will follow.  They always do if you’re diligent with your practicing. Nothing may seem to change or get better for weeks, and then suddenly – wham – you notice the improvement.

The new year is on the move, and it will march forward regardless of what we do. As keyboardists, we will either get better this year or worse – we will not stay the same. Let’s dedicate ourselves to practice this year so that next year finds us both better keyboardists and better musicians.

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Easy Major Seventh Chords

by Scott on June 11, 2009

Whether you’re just learning to play chords or you’re a seasoned player, you may occasionally experience a mental block during a performance when a major seventh chord (M7) pops up on the lead sheet. For FM7 and CM7, there is a handy trick you can always use. First, find the basic triad in root position, which puts your thumb on the root note of the chord. Then use your thumb to play both the root note AND the white key immediately to the left. which will be the 7th interval one octave lower. Take a look at both the normal and this new “easy” form of CM7 and FM7:

Technically, you could do this with chords other than C and F, but it’s a bit more challenging to get your thumb to span both a white a black key. And in case you might think of this as cheating, you might be surprised to learn that even famous players use it. This particular trick was a favorite of the late Danny Federici from Springsteen’s E Street Band.

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How To Get An Unexpected Solo

May 25, 2009

Normally our solo parts are marked in the music, or at least known about ahead of time. This past Sunday, I found myself playing a solo that was 100% unknown ahead of time. Our first song was “Friends in High Places” by Russell Fragger, written in F. Our roadmap calls for verse 2 to be [...]

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